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Highlights
Want to Turn Your House into the Art House? Try Metrograph at Home.
The Metrograph theater in New York has expanded to include a streaming platform that spotlights foreign, art house, independent, classic and documentary selections.
By Jason Bailey
‘We Will Dance Again’ Review: Remembering Oct. 7
In this documentary by Yariv Mozer, Israelis who attended the Nova music festival near the Gaza border describe how they survived the attack last year.
By Ben Kenigsberg
When the Horror Is Coming From Under Your Own Skin
As “The Substance” hits theaters, here’s a look at eight other films in the goopy subgenre of body horror.
By Kellina Moore
Natasha Lyonne Is a Boss (a Boss Trying to Stop Time)
Amid Oscar talk for her quiet turn in “His Three Daughters” on Netflix, the spitfire star has become a force as a producer driven by a sense of mortality.
By Melena Ryzik and OK McCausland
See AlsoThe Largest Banks - How to Transfer Money With Only Card Number and CVV (2024)The Quiet GirlTheatres - Landmark Plaza Frontenac Cinema - Landmark Theatres"The Quiet Girl" is finally coming to US theaters
Five International Movies to Stream Now
This month’s picks include a South Indian drama about sexual harassment, a film shot within a video game, a period coming-of-age movie and more.
By Devika Girish
On the Screen or in a Meme, ‘The Babadook’ Is Still an Unnerving Dream
Back in theaters for its 10th anniversary, the haunting movie never really left, with a legacy that includes an entire horror subgenre.
By Esther Zuckerman
Critic’s Notebook
Patricia Field: Her Joyful, Chaotic Fashion Sense Gets a Film to Match
“Happy Clothes” covers her work on “Emily in Paris” and “Sex and the City,” as well as her time as a tastemaker in the 1970s and ’80s underground.
By Alissa Wilkinson
Documentary Lens
How Optimus Prime and Megatron Learned to Transform in ‘Transformers One’
The director Josh Cooley narrates an action scene from the film.
By Mekado Murphy
Anatomy of a Scene
‘The Substance’ Review: An Indecent Disclosure
Demi Moore stars in an absurdly gory tale of an aging actress who discovers a deadly cure for obscurity.
By Alissa Wilkinson
Critic’s Pick
See AlsoALIVE September
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Kathryn Crosby, Actress and Bing Crosby’s Widow, Dies at 90
She was a Texas-born starlet when she married the beloved crooner, but put aside her career at his urging.
By Penelope Green
TimesVideo
‘Transformers One’ | Anatomy of a Scene
The director Josh Cooley narrates a sequence from his film.
By Mekado Murphy
11 New Movies Our Critics Are Talking About This Week
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
By The New York Times
The Octagon Inside the Sphere: Bloody Fights and Soaring Films
To amplify the first live athletic competition at the Las Vegas landmark, the Ultimate Fighting Championship turned to Hollywood.
By Emmanuel Morgan and Mikayla Whitmore
‘Never Let Go’ Review: Do the Woods Have Eyes?
Halle Berry plays the ultimate helicopter parent in this new horror movie, where evil lurks in the trees beyond the family cabin.
By Glenn Kenny
‘In the Summers’ Review: Understanding a Father’s Flaws
The film, by Alessandra Lacorazza, follows two siblings as they visit their father, played by Residente, in New Mexico.
By Ben Kenigsberg
‘The Featherweight’ Review: Boxing Is Easy. Retirement Is Hard.
In this biopic, a documentary crew follows the boxer Willie Pep during his 1960s comeback.
By Lisa Kennedy
‘Eureka’ Review: No More Cowboys and Indians
This intriguingly languorous Western by the Argentine director Lisandro Alonso explores the existential plight of Indigenous Americans in three separate timelines.
By Beatrice Loayza
Critic’s Pick
‘All Shall Be Well’ Review: Aching With Absence
The indignity of being someone’s spouse while they are alive and merely a friend after their death is the theme of this extraordinarily moving Hong Kong drama.
By Natalia Winkelman
‘Wolfs’ Review: Brad Pitt and George Clooney as Themselves
They play underworld fixers in this trifle of a movie, though really they’re here to look enviably fabulous.
By Manohla Dargis
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